The ''I saw an angel'' is a costume design for the short film "The Calligraphy of a 16.1m Tongue''. The work challenges the limits of the human body and follows a relentless transformation, constantly reconfiguring into new hybrid forms that merge the human and the mechanical. Through a joyful act of deconstruction, the body is reimagined as a scrapyard, engulfed in the remnants of scooters, steering wheels, gears, lights, and other vehicular debris.

This new industrial skin reveals a monstrous hybrid between human and machine. It limits movement, extends the silhouette, and obscures the body, while at the same time functioning as a ruinous armature.

With destruction and rebirth as its central concept, the project explores technological embodiment and identity fragmentation. It critiques the failure of artificial ideals, reflected both in our technological identities and in the societal systems that enforce formality, dignity, and conventional beauty norms.